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Tag Archives: film
Seen this trailer? I can almost guarantee that anyone who likes this film has a Tolstoy novel on their shelf that they either haven’t read, or after the first 50 pages gave up when they couldn’t remember whether Karpovoloskaya was the doctor, the maid, or the corporal.
After watching the trailer, my trigger finger got sweaty in a quasi-erotic Read the rest
I don’t see what all the HUNGER GAMES hubbub is about. I mean, Jennifer Lawrence has experience playing a person of color. That isn’t good enough for you people? (What do I mean, “you people”?)
Strike that, start again. I don’t get what all the HUNGER GAMES hubbub is about. The black characters in the book exist to Read the rest
Before I show you what I’m about to show you, I want you to understand that this is something I saw nearly 15 years ago. When I saw it, I tried to convince my friends sitting next to me in the theater that I saw it, and they didn’t believe me.
And for the next decade or so, I Read the rest
You’ll like the Descendants if you are 50 years old and think that by virtue of achieving such a high score in orbiting the sun, you’re entitled to burden the rest of society with the cliched wisdom you’ve accumulated from decades of daytime TV and self help books. For the rest of us, it’s the two hour version of Read the rest
There’s something rotten about The Walking Dead, but I haven’t put my finger on it until the last few episodes of this second season. The problem is this: The Walking Dead isn’t about zombies, it’s about the survival of traditional conservative moral values in the face of a social breakdown.
Zombie films are basically war films in which civilians Read the rest
“Beautiful Boy” is a film about a couple and their failing relationship. At the beginning the husband is about to move out, and the wife is pissed because he was supposed to go on vacation with her and their kid. But it all turns out okay. The vacation gets canceled. Their son shoots a large number of people, and Read the rest
This film has absolutely no business being this good.
The marketing campaign makes Drive look like a Fast and Furious knockoff. Cars? Check. Heists? Check. Gangsters? Check.
Forget all that. Drive is an LA fever dream, a collision of the present with 1987′s collective unconscious. What is the film about? This picture tells you exactly what it’s about: looking Read the rest
Netflix is spinning off is DVD-by-mail business to focus on streaming. If there was ever an example of how postmodern business has become, this is it.
It is often said that in postmodernism, the curator was as important than the works he curated. That certainly seems to be the guiding principle behind this decision. Effectively, Netflix is throwing Read the rest
The super hero film has traveled a substantial distance to the mainstream before it finally burst through the celluloid ceiling and became the contemporary definition of cinematic blockbuster. Comic books have traveled along a reverse trajectory, from mainstream to subculture. In a strange confluence, the comic books that gave us All-American avengers in the forties, fifties and sixties, have Read the rest
Blind is a very short film about man living in a radioactive Tokyo, haunted by a little girl.
The film compactly delivers its warning about ignoring the dangers of radiation like a well landed punch. And in Japan, the film is part of a growing popular backlash against corporate cover-up and government dissembling over the extent and ongoing dangers Read the rest
An article in Prospect Magazine (UK) declares “Postmodernism is dead,” and then attempts to discern what cultural trend, or philosophical modes comes after.
This topic is of particular interest to me, the question of what comes next was largely the impetus for starting this blog. It is very clear that postmodernism isn’t dead, just like modernism or classicism Read the rest
Walt Disney Animation Studios chief technical officer Andy Hendrickson, describes thinking behind the studio’s film strategy:
“People say ‘It’s all about the story,’” Hendrickson said. “When you’re making tentpole films, bullshit.” Hendrickson showed a chart of the top 12 all-time domestic grossers, and noted every one is a spectacle film. Of his own studio’s “Alice in Wonderland,” which is
I recently watched an anime titled Welcome to the NHK, which is a series based off a famous novel of the same name by author Tatsuhiko Takimoto. Welcome to the NHK is about a 22 year old hikikomori named Satou Tatsuhiro. Hikikomori is a Japanese term used to describe socially reclusive “shut-ins” who are usually 25-35 year old NEETs Read the rest
And if you walked out, I hate to break it to you, but you’re closed-minded. And that’s what this post is about. It’s not a review of the film (that’s coming later). Rather, this is a review of the rather large class of people who walked out of it.*
First, an endorsement. Go see this. Now. In the theater. Read the rest
Does Hollywood condition audiences to consider certain kinds of non-consensual sex as harmless? In 1987 they did. And audiences bought it hook, line, and sinker. Would you?
According to columnist “Chuck Norris” of Townhall.com :
MTV’s reality shows “Jersey Shore” and “16 and Pregnant” are only the beginnings of a television tidal wave of explicitly sexual content that is invading the hearts and minds of America’s youth.
While the word “invasion” captures the ubiquity of sex in the media, it actually does a disservice to Read the rest
Just to make things interesting, I’ve decided to number the points according to the chorus of a catchy song.
Ever since people have been able to create works of fiction, they have sought to relate it to the external world in some way. Perhaps the story was actually about the real world, perhaps it was only loosely Read the rest
A bit of background: I studied in Cochabamba, Bolivia for a semester two years ago, which included studying colonial history, and talking to people who participated in/coordinated resistance during the Water War, which is what they call the 2000 protests.
Even the Rain is a pretty good movie, and to some extent, it’s right in the Academy’s wheelhouse: anti-colonial, Read the rest
We do love our superhero movies, don’t we. I’ve had something of a pet theory for a few years now that says that all superhero comic book mythologies are little more than the superego punishing the id in a celebration of a superficially Nietzschean, almost fascist worldview. What is much more interesting is why audiences find these stories so Read the rest